There was a time when everything seemed to fit together.
The brand was growing. We moved a lot. We traveled more than we planned. We made quick decisions. And for a while, that worked.
The Indian Face was born in 2007, from what we liked to do: move, go out, change scenery; work just enough to go out again. There was not much structure, nor many meetings or big long-term plans. There was intuition.
And intuition, when it is right, is dangerous. Because it makes you believe it will always be right.
Romanticism works… until it stops working
During those years we confused freedom with disorder. Deciding on the fly seemed like agility. Not planning seemed like spontaneity. Constantly traveling seemed consistent with what we represented.
But there was something we did not see: the business needed stability.
The collections were not always thought out for the long term. The stock was not always calmly calculated. The decisions were not always aligned with each other. And little by little it began to show.
It was not a dramatic blow. It was something more uncomfortable: irregular sales, margins that did not add up, conversations that were no longer so light.
The conversation
It was not an epic meeting. It was a short conversation. Uncomfortable.
“If we want to keep living like this, we have to start managing better.”
And he was right. Because we were putting at risk exactly what we wanted to protect.
Freedom without structure is fragile. Passion without discipline runs out. And a brand cannot be sustained by intention alone.
That day we understood something important: living intensely is not incompatible with managing well, but it requires maturity.

The change
We did not stop traveling. We did not stop moving. We did not stop doing sports.
But we began to plan. To say no. To produce less. To think more. To measure before deciding.
We went from reacting to choosing. And that changed everything. Not only the business. Also the way of designing.
Choosing better
Over time we learned that growing is not doing more. It is doing better. That launching many things does not mean having more identity. That pleasing everyone dilutes what makes you different.
We began to eliminate noise: fewer references, more judgment; less impulse, more coherence.
And that is what has allowed us to stay here since 2007, sustaining the brand with the same underlying idea: live with meaning, but build with sense.
What remains
That stage was not a mistake. It was necessary.
It allowed us to understand that the freedom we wanted to represent could only be sustained if there was structure behind it. Today we design from another place: not from urgency, not from trend, not from euphoria; but from coherence.
And if something we do makes sense, it probably comes from that uncomfortable conversation.
